
Ann Coulter says that Barack Obama isn’t a Muslim; he’s an atheist.
How does she know that? Because Obama is a liberal, and all liberals are atheists.
Glenn Beck says Jim Wallis of Sojourners is a Marxist. How does he know that? Because Wallis believes in economic justice, liberation theologians talk about economic justice, and liberation theologians have been influenced by Marxist thought.
Beck’s real target isn’t Jim Wallis, it’s Barack Obama. Jim Wallis is Jeremiah Wright and Jeremiah Wright is Barack Obama, hence, the president is a Marxist.
Are Beck and Coulter serious? Do they believe their own rhetoric?
Yes and no. Yes, because their most bizarre statements “feel” right. No, because Beck and Coulter are so concerned about getting the fans on the red side of the stadium cheering and the fans in the blue seats leaping in alarm that they don’t really care about the rightness or wrongness of their statements. Or, to put it another way, a remark that gets the fans up and hollering is a good statement, and if the fans are sitting on their hands the message needs to be tweaked.
According to the New York Times, Ann Coulter recently shifted in a more gay-friendly direction (conservatives love gays; we just don’t like gay marriage) because she couldn’t compete with conservatives who are even more extreme than she is.
The culture war is a marketing gimmick designed to keep the contributions rolling in. It’s like one of those funny mirrors on the circus midway; what you see shouldn’t be mistaken for reality. (more…)



Jeffrey Miron’s op-ed in the Los Angeles Times

Michelle Alexander says the criminal justice reform movement should shed its fixation with innocence. In her groundbreaking book, The New Jim Crow: Mass Incarceration in the Age of Colorblindness, Alexander suggests that reformers start focusing on normal defendants. Since most criminal defendants done the deed, that means going to bat for guilty people. Why would we want to do that?
It warms the heart to read a well-researched book that confirms long-held hunches. Michelle Alexander’s